When it comes to writing Black characters, one of the biggest pitfalls non-Black writers fall into is leaning on stereotypes rather than crafting fully realized, nuanced people. Too often, Blackness is portrayed as a monolith—flattened into caricatures that center trauma, poverty, or crime as if that is the sum of our existence. But here’s the thing:
Black people are not tropes. We are not checkboxes. We are not here to be sidekicks, comic relief, or background noise in a white-centered story.
The Problem with Stereotypes
Stereotypes exist because they’re easy. They’re the shortcut writers take when they don’t put in the work to understand a character beyond race. But when you reduce Black characters to overused tropes—like the magical Negro, the thug, the sassy best friend, or the struggling single mother—you strip them of their humanity. Instead of allowing them to be complex, flawed, and multi-dimensional, they become predictable and one-dimensional.
Readers notice this. We feel it. And that’s where the blow back comes from. Because time and time again, we see our stories mishandled, our voices ignored, and our experiences flattened into digestible stereotypes.